/Users/andrea/_magisterarbeit/korpus/clean/testkorpus/19/file3.html NN ----------------------------------------- : Keywords NP . SENT museums NNS video NN streaming VVG interdepartmental JJ net NN . SENT art NN research NN archiving VVG curatorial JJ process NN novelty NN People NNS . SENT Tony NP OurslerNam NP June NP Paik NP Lynda NP Benglis NP Shigeko NP KubotaGary NP HillBill NP ViolaAda'webPaola NP AntonelliSheryl NP ConkletonVivian NP SelboEric NP Rosevear NP Alfred NP Barr NP Olia NP Lialina NP Kathy NP Rae NP Huffman NP Leo NP CastelliHoward NP Wise NP Rosalind NP Krauss NP Multi NNS Multi NNS Media NP . SENT an DT interview NN with IN Barbara NP London NP . SENT Barbara NP London NP is VBZ Video NP and CC Media NP Curator NN at IN The DT Museum NP of IN Modern NP Art NP , , New NP York NP . SENT The DT conversation NN took VVD place NN on IN March NP 22 CD , , 2001 CD on IN the DT occasion NN of IN MoMA NP s PP first JJ website NN art NN commission NN , , Timestream NP by IN Tony NP Oursler NP . SENT This DT web NN page NN contains VVZ only JJ Part NP 1 CD of IN the DT conversation NN . SENT Parts NNS 1 CD and CC 2 CD are VBP available JJ as IN a DT 7000 CD word NN pdf NN file NN . SENT Sarah NP Cook NP . SENT Let VV s PP begin VV at IN the DT beginning NN . SENT Barbara NP London NP . SENT You PP probably RB know VVP I PP ve RB been VBN at IN MoMA NP a DT while NN . SENT It PP all RB began VVD back RB in IN 1973 CD , , when WRB I PP was VBD working VVG with IN our PP$ Department NP of IN Prints NP and CC Illustrated NP Books NPS . SENT I PP have VHP always RB been VBN attracted VVN by IN the DT cutting VVG edge NN , , and CC early RB on RB became VVD interested JJ in IN artists NNS books NNS . SENT Slowly RB I PP assembled VVD a DT collection NN of IN this DT inexpensive JJ , , mass JJ producible JJ form NN and CC organised VVD a DT show NN for IN the DT Museum NP . SENT Once IN our PP$ new JJ Librarian NN , , Clive NP Phillpot NP , , arrived VVN and CC assumed VVN responsibility NN for IN artists NNS books NNS , , I PP became VVD involved VVN with IN the DT hot JJ potato NN of IN video NN . SENT At IN that DT time NN , , video JJ didn NN t NN exist VVP in IN MoMA NP . SENT Then RB in IN late RB 1973 CD the DT NEA NP awarded VVD the DT Museum NP a DT grant NN to TO purchase VV a DT videocassette NN deck NN and CC two CD monitors NNS . SENT Taking VVG advantage NN of IN the DT equipment NN , , I PP organised VVD shows NNS with IN tapes NNS that WDT subsequently RB entered VVD the DT canon NN including VVG Nam NP June NP Paik NP s PP Global NP Groove NN 1973 CD and CC Lynda NP Benglis NP s PP Now RB 1973 CD . SENT Then RB through IN a DT grant NN from IN the DT Rockefeller NP Foundation NP , , I PP was VBD able JJ to TO get VV out RP from IN under IN all PDT my PP$ Print NP Department NP responsibilities NNS . SENT The DT ongoing JJ video NN exhibition NN program NN expanded VVN , , and CC we PP started VVD Video NP Viewpoints NNS , , the DT lecture NN series NN where WRB artists NNS come VVP to TO show VV and CC discuss VV their PP$ new JJ work NN . SENT I PP organised VVD installation NN shows NNS with IN such JJ artists NNS as IN Nam NP June NP Paik NP , , Laurie NP Anderson NP , , Terry NP Fox NP , , Shigeko NP Kubota NP , , Gary NP Hill NP , , and CC Bill NP Viola NP . SENT We PP also RB started VVD to TO acquire VV videos NNS by IN artists NNS from IN North NP America NP , , Japan NP , , Latin NP America NP , , and CC Europe NP . SENT I PP keep VVP up RP with IN new JJ technologies NNS , , so RB it PP was VBD a DT natural JJ progression NN to TO explore VV the DT new JJ kid NN on IN the DT block NN , , the DT Internet NN . SENT As IN you PP know VVP , , a DT lot NN of IN curatorial JJ research NN is VBZ done VVN out RP in IN the DT field NN . SENT You PP meet VVP with IN artists NNS , , curatorial JJ colleagues NNS , , and CC you PP re NN always RB assembling VVG information NN . SENT Artists NNS always RB ask VVP me PP how WRB to TO get VV into IN the DT Museum NP s PP collection NN or CC into IN the DT exhibition NN program NN . SENT I PP always RB say VVP it PP begins VVZ by IN seeing VVG someone NN s PP work VVP , , meeting VVG with IN the DT artist NN , , and CC by IN accumulating VVG documents NNS that WDT go VVP into IN a DT file NN folder NN . SENT Once RB I PP have VHP a DT context NN for IN work NN , , it PP usually RB proceeds VVZ to TO inclusion NN in IN a DT group NN show NN . SENT Acquisition NN is VBZ the DT next JJ step NN . SENT Back RB in IN the DT 1970 CD s PP and CC early RB 1980 CD s NN I PP made VVD several JJ trips NNS to TO Japan NP and CC organised VVD two CD Japanese JJ video NN shows NNS for IN MoMA NP . SENT Since IN then RB I PP have VHP followed VVN many JJ Japanese JJ artists NNS and CC know VV their PP$ work NN well RB . SENT I PP have VHP had VHD two CD sabbaticals NNS in IN Tokyo NP , , for IN the DT sole JJ purpose NN of IN studying VVG media NNS art NN . SENT Then RB in IN the DT late JJ 1990 CD s VVZ I PP received VVD a DT grant NN to TO go VV to TO China NP . SENT My PP$ purpose NN in IN meeting NN artists NNS there EX was VBD to TO continue VV doing VVG what WP I PP had VHD been VBN doing VVG for IN years NNS . SENT My PP$ original JJ motivation NN for IN the DT China NP Internet NP project NN was VBD to TO make VV my PP$ file NN folders NNS public JJ . SENT Instead RB of IN squirrelling VVG away RP the DT information NN for IN later JJR use NN , , I NP d SYM put VVD my PP$ findings NNS up RP on IN the DT net NN , , for IN curators NNS and CC for IN anyone NN else RB curious JJ about IN art NN in IN China NP . SENT Also RB I PP thought VVD demystifying VVG the DT curatorial JJ process NN would MD be VB beneficial JJ . SENT A DT visitor NN to TO Stir VV fry NN gets VVZ a DT chance NN to TO travel VV with IN a DT curator NN on IN a DT research NN quest NN . SENT I PP don VV t NN know VVP whether IN many JJ curators NNS search NN for IN artists NNS the DT way NN I PP do VVP , , but CC I PP think VVP it PP s PP useful JJ to TO let VV people NNS look VV in IN on IN the DT gestation NN phase NN of IN a DT museum NN exhibition NN . SENT Since IN I PP was VBD going VVG to TO be VB meeting VVG with IN artists NNS who WP were VBD new JJ to TO many JJ of IN my PP$ peers NNS in IN the DT West NP , , I PP thought VVD the DT Web NP would MD be VB the DT logical JJ medium NN to TO create VV what WP I PP call VVP my PP$ curatorial JJ dispatches NNS . SENT Two CD weeks NNS before IN I PP left VVD for IN China NP , , I PP put VVD together RB the DT Web NP component NN of IN this DT research NN trip NN . SENT Ada NP web NN offered VVD to TO do VV the DT design NN pro FW bono FW . SENT I PP rented VVD a DT laptop NN for IN 300 CD , , purchased VVD an DT extra JJ air NN ticket NN for IN my PP$ colleague NN who WP had VHD made VVN documentary JJ films NNS in IN the DT past NN and CC is VBZ a DT computer NN engineer NN as RB well RB as IN a DT writer NN . SENT MoMA NP had VHD quickly RB agreed VVN that IN I PP create VVP a DT Web NP project NN out RB of IN the DT trip NN . SENT It PP was VBD all RB done VVN by IN the DT seat NN of IN our PP$ pants NNS . SENT I PP called VVD the DT website NN Stir VV fry NN . SENT I PP left VVD with IN all PDT the DT video NN and CC audio JJ equipment NN and CC the DT laptop JJ fitting NN into IN a DT knapsack NN . SENT I PP had VHD no DT idea NN if IN I PP d NN be VB thrown VVN out RP of IN China NP for IN doing VVG the DT project NN . SENT I PP had VHD no DT idea NN if IN I PP would MD find VV appropriate JJ phone NN lines NNS . SENT As IN it PP turned VVD out RP , , I PP used VVD the DT hotel NN business NN centres VVZ to TO send VV my PP$ dispatches NNS . SENT SC NP . SENT And CC at IN that DT time NN which WDT department NN at IN MoMA NP was VBD managing VVG the DT website NN . SENT Who WP were VBD you PP sending VVG them PP back RB to TO . SENT BL NP . SENT I PP ll RB roll VVP back RB a DT bit NN . SENT In IN 1995 CD , , MoMA NP didn NP t NN have VHP a DT website NN . SENT I PP and CC two CD curatorial JJ colleagues NNS convinced VVD the DT administration NN that IN the DT Museum NP needed VVD to TO get VV its PP$ feet NNS wet JJ with IN the DT Web NP . SENT We PP proposed VVD three CD pilot NN projects NNS related VVN to TO three CD contemporary JJ shows NNS . SENT One PP was VBD my PP$ show NN , , Video NP Spaces NNS , , another DT was VBD Paola NP Antonelli NP s PP Mutant JJ Materials NNS , , and CC the DT third JJ was VBD Sheryl NP Conkleton NP s PP Annette NP Messager NP retrospective NN . SENT The DT School NP of IN Visual NP Arts NP hosted VVD the DT sites NNS , , and CC SVA NP students NNS designed VVD them PP . SENT Six CD months NNS later RBR the DT Museum NP officially RB launched VVD http NN . SENT www JJ . SENT moma NP . SENT org NP with IN a DT Picasso NP show NN . SENT Initially RB the DT MoMA NP site NN was VBD first RB managed VVN by IN committee NN , , along RB with IN Greg NP van NP Alstyne NP , , who WP came VVD out RP of IN our PP$ Graphic JJ Design NP Department NP . SENT For IN several JJ years NNS Greg NP was VBD the DT manager NN of IN the DT MoMA NP website NN . SENT SC NP . SENT So RB often RB a DT museum NN s PP first JJ website NN arises VVZ from IN within IN the DT museum NN s PP marketing VVG department NN . SENT BL NP . SENT The DT Museum NP is VBZ very RB different JJ in IN that IN our PP$ website NN developed VVN as IN a DT curatorial JJ initiative NN . SENT The DT site NN still RB has VHZ a DT great JJ deal NN of IN input NN from IN the DT curatorial JJ staff NN . SENT So RB far RB I PP ve VVZ done VVN three CD curatorial JJ dispatches NNS . SENT After IN Stir VV fry NN , , I PP knew VVD there EX was VBD a DT fair JJ amount NN of IN video NN and CC web NN activity NN in IN Russia NP and CC Ukraine NP . SENT I PP obtained VVD a DT grant NN to TO investigate VV media NNS art NN between IN St NP . SENT Petersburg NP , , Moscow NP , , Novosibirsk NP , , Kiev NP and CC Odessa NP . SENT For IN this DT project NN I PP was VBD better RBR prepared VVN and CC I PP upped VVD the DT ante NN a DT bit NN . SENT Vivian NP Selbo NP , , who WP had VHD designed VVN Stir VV fry NN pro FW bono FW while IN working VVG with IN ada NP web NN , , became VVD the DT paid VVN designer NN for IN InterNyet NP . SENT I PP went VVD with IN a DT top NN of IN the DT line NN computer NN , , a DT digital JJ video NN camera NN , , and CC a DT DAT NP tape NN recorder NN . SENT I PP wouldn NN t NN claim VVP the DT site NN is VBZ technically RB advanced JJ , , because IN all PDT the DT work NN is VBZ still RB being VBG done VVN by IN just RB my PP$ associate NN and CC me PP , , but CC InterNyet NP includes VVZ many JJ video NN and CC movie NN clips NNS , , and CC the DT sound JJ quality NN is VBZ reasonably RB good JJ . SENT In IN Novosibirsk NP I PP discovered VVD a DT group NN of IN very RB sophisticated JJ Web NP and CC media NNS artists NNS . SENT Out RB of IN my PP$ Stir NN fry NN and CC InterNyet NN research NN , , I PP selected VVD several JJ videotapes VVZ and CC multi NNS channel VVP works NNS which WDT the DT Museum NP acquired VVD for IN the DT collection NN . SENT The DT third JJ dispatch NN project NN was VBD dot NN . SENT jp NN . SENT Since IN I PP ve RB been VBN going VVG to TO Japan NP for IN twenty CD years NNS , , this DT was VBD a DT little RB different JJ . SENT Also RB , , Japan NP is VBZ more RBR known VVN in IN the DT West NP than IN Russia NP and CC Ukraine NP are VBP . SENT I PP met VVD with IN some DT of IN the DT really RB young JJ artists NNS in IN Yokohama NP and CC Tokyo NP , , such JJ as IN exonemo NN , , and CC in IN out RB of IN the DT way NN places VVZ like IN Kyushu NP . SENT I PP always RB put VVD younger JJR artists NNS work VVP into IN a DT context NN . SENT I PP spent VVD a DT day NN with IN Studio NN Ghibli NN . SENT Mr NP . SENT Hayao NP Miyazaki NP and CC Mr NP . SENT Isao NP Takahata NP are VBP the DT venerated VVN artists NNS who WP created VVD the DT extraordinary JJ animation NN films NNS , , Princess NP Monontoke NP and CC My NP Neighbors NP the DT Yamadas NP . SENT They PP were VBD gracious JJ and CC our PP$ conversations NNS provided VVD an DT historical JJ context NN for IN the DT site NN . SENT SC NP . SENT Which WDT brings VVZ us PP up RP to TO now RB . SENT BL NP . SENT The DT latest JJS project NN I PP produced VVD for IN the DT web NN is VBZ a DT work NN by IN Tony NP Oursler NP called VVD Timestream NP , , and CC it PP is VBZ the DT first JJ in IN a DT series NN of IN MoMA NP web NN commissions NNS . SENT In IN some DT ways NNS it PP was VBD logical JJ that IN we PP start VVP with IN Oursler NP , , because IN the DT Museum NP has VHZ shown VVN his PP$ videotapes VVZ and CC installations NNS since IN the DT early JJ 1980 CD s PP , , and CC his PP$ work NN is VBZ in IN the DT collection NN . SENT I PP paired VVD him PP with IN a DT young JJ New NP York NP designer NN , , Eric NP Rosevear NP , , whom WP I PP have VHP been VBN following VVG . SENT The DT two CD of IN them PP aren NP t NN peas NNS in IN a DT pod NN , , but CC have VH similar JJ aesthetics NNS in IN that WDT both DT work NN in IN a DT seat NN of IN the DT pants NNS , , low JJ end NN way NN . SENT Tony NP has VHZ a DT longstanding JJ interest NN in IN the DT history NN of IN technology NN . SENT He PP saw VVD his PP$ Web NP piece NN as IN being VBG a DT biography NN of IN technology NN , , starting VVG with IN Archimedes NP use NN of IN a DT lens NN and CC coming VVG all PDT the DT way NN up RB to TO the DT jenny NN cam NN . SENT Part NN of IN Tony NP s PP point VVP is VBZ that IN as IN new JJ technologies NNS are VBP developed VVN , , they PP work VVP their PP$ way NN through IN society NN in IN quirky JJ ways NNS . SENT Sometimes RB there EX is VBZ a DT curious JJ spiritual JJ element NN to TO the DT applications NNS . SENT If IN you PP look VVP at IN early JJ cinema NN , , it PP evolved VVD out RP of IN magic JJ show NN halls NNS . SENT The DT special JJ effects NNS for IN the DT magic JJ shows NNS became VVD the DT first JJ special JJ effects NNS in IN cinema NN . SENT Tony NP has VHZ made VVN other JJ links NNS , , as RB well RB . SENT When WRB you PP had VHD the DT telegraph VVP you PP also RB had VHD the DT Ouija NN board NN . SENT The DT Fox NP sisters NNS lived VVD in IN New NP York NP in IN the DT mid JJ 19 CD th NN century NN , , and CC they PP had VHD all DT kinds NNS of IN knock NN knock NN communications NNS with IN their PP$ and CC others NNS deceased JJ relatives NNS . SENT Eric NP s PP Timestream NP layout NN is VBZ a DT bit NN of IN history NN , , an DT aggregate NN of IN buttons NNS and CC frames NNS and CC simple JJ HTML NP routines NNS that WDT were VBD popular JJ in IN the DT early JJ days NNS of IN the DT Web NP . SENT The DT site NN has VHZ a DT wonderful JJ tangible JJ quality NN , , as RB if IN one PP were VBD browsing VVG an DT old JJ worn JJ book NN in IN search NN of IN an DT arcane JJ reference NN . SENT Many JJ designers NNS look VVP to TO Eric NP , , because IN he PP s PP working VVG with IN this DT low JJ end NN thing NN and CC making VVG something NN very RB beautiful JJ and CC strange JJ , , similar JJ to TO Tony NP Oursler NP s PP aesthetic JJ . SENT Every DT time NN I PP create VVP a DT Web NP project NN for IN MoMA NP , , I PP ask VVP myself PP what WP are VBP the DT particulars NNS of IN the DT Web NP . SENT How WRB can MD we PP expand VV upon IN a DT kiosk NN . SENT You PP not RB only RB have VH to TO have VH a DT terminal NN and CC give VV the DT user NN viewer NN here RB in IN MoMA NP access NN to TO the DT new JJ web NN work NN , , but CC you PP also RB have VHP to TO add VV something NN and CC make VV it PP a DT little RB different JJ . SENT So RB Tony NP bit NN the DT bullet NN and CC we PP installed VVD Timestream NP downstairs NN in IN our PP$ Caf NP Etc NN . SENT space NN which WDT has VHZ been VBN our PP$ incubator NN for IN the DT expanded JJ MoMA NP , , which WDT will MD reopen VV in IN late RB 2004 CD . SENT Caf NP Etc FW . SENT has VHZ been VBN open JJ for IN a DT year NN and CC a DT half NN , , and CC we PP have VHP explored VVN different JJ kiosk NN situations NNS . 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SENT You PP ve RB brought VVD a DT gallery NN based VVN artist NN , , Tony NP Oursler NP to TO the DT web NN . SENT Do VV you PP see VV yourself PP working VVG in IN reverse NN as IN well RB so RB that IN you PP might MD bring VV artists NNS on IN the DT web NN to TO the DT galleries NNS . SENT BL NP . SENT Certainly RB . SENT I PP would MD imagine VV that IN sooner RBR rather RB than IN later RBR the DT Museum NP will MD present VV a DT few JJ Web NP based VVN works NNS that WDT will MD also RB have VH an DT installation NN component NN . SENT I PP always RB wake VVP up RP and CC say VV this DT is VBZ a DT great JJ moment NN to TO be VB alive JJ . SENT Artists NNS are VBP just RB starting VVG to TO address VV what WP the DT Web NP really RB is VBZ . SENT We PP ve RB had VHD amazing JJ works NNS like IN Shredder NN , , Netomat NP , , and CC Jodi NP , , but CC I PP still RB think VVP , , what WP really RB is VBZ it PP . SENT What WP s PP the DT it PP . 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SENT When WRB you PP did VVD your PP$ dispatches NNS from IN Russia NP you PP were VBD giving VVG other JJ people NNS access NN to TO artists NNS like IN Alexi NP Shulgin NP through IN the DT links NNS , , even RB if IN MoMA NP wasn NN t NN commissioning VVG new JJ work NN from IN them PP . SENT BL NP . SENT This DT is VBZ probably RB my PP$ background NN , , but CC I PP m NN in IN favour NN of IN all DT approaches NNS . SENT I PP m NN in IN favour NN of IN work NN being VBG seen VVN differently RB in IN different JJ contexts NNS by IN different JJ people NNS depending VVG upon IN their PP$ backgrounds NNS . SENT I PP think VVP it PP s PP terrific JJ that IN we PP re IN all DT going VVG to TO have VH different JJ interpretations NNS . SENT Each DT context NN offers VVZ a DT slightly RB different JJ interpretation NN . SENT I PP think VVP we PP all DT help VV each DT other JJ and CC it PP helps VVZ the DT work NN and CC there RB s PP not RB one CD right NN way NN as RB far RB as IN I PP m NN concerned VVN . SENT What WP I PP am VBP concerned VVN about RB at IN times NNS is VBZ what WP I PP call VVP the DT novelty NN hustle NN . SENT I PP was VBD fortunate JJ to TO be VB able JJ to TO attend VV the DT opening NN of IN the DT Havana NP Biennale NP . SENT Over IN 1000 CD Americans NNS went VVD to TO the DT opening NN because IN we PP all RB know VVP the DT embargo NN will MD be VB lifted VVN at IN some DT point NN . SENT We PP all RB were VBD tripping VVG over IN the DT same JJ people NNS we PP see VVP at IN the DT other JJ biennales NNS . SENT Big NP is VBZ fine JJ , , but CC you PP don VV t NN need VVP big JJ all PDT the DT time NN . SENT The DT Venice NP Biennale NP serves VVZ its PP$ purpose NN but CC it PP s VVZ not RB the DT only JJ thing NN . SENT I PP think VVP its PP$ great JJ that IN Vuk NP is VBZ using VVG the DT opportunity NN in IN the DT way NN he PP should MD . SENT We PP are VBP all RB networking VVG and CC helping VVG to TO define VV and CC share NN information NN . SENT If IN somebody NN is VBZ more RBR interested JJ in IN a DT Jasper NP Johns NP or CC Bob NP Ryman NP or CC Eve NP Hesse NP , , if IN they PP re IN there RB and CC for IN a DT few JJ minutes NNS have VHP exposure NN to TO net JJ art NN then RB that IN s PP terrific JJ . SENT It PP means VVZ that IN the DT next JJ time NN they PP see VVP net JJ art NN , , they PP will MD have VH a DT little JJ bit NN of IN a DT context NN . SENT But CC if IN people NNS only RB dance VV the DT novelty NN hustle NN , , then RB that IN s PP a DT problem NN . SENT You PP ve RB got VVD to TO see VV works NNS more RBR than IN once RB to TO understand VV a DT context NN . SENT It PP takes VVZ reflection NN to TO figure VV out RP what WP something NN is VBZ . SENT SC NP . SENT One CD argument NN is VBZ that IN the DT museum NN has VHZ institutionalised VVN net JJ . SENT art NN at IN the DT moment NN that IN it PP is VBZ no DT longer RBR avant JJ garde NN net NN . SENT art NN is VBZ in IN Venice NP long RB after IN Vuk NP Cosic NP declared VVD it PP dead JJ . SENT It PP s PP the DT same JJ as IN what WP has VHZ been VBN happening VVG all DT century NN long RB . SENT BL NP . SENT But CC I PP think VVP it PP is VBZ up RB to TO the DT institution NN , , to TO Vuk NP , , and CC to TO all DT of IN us PP to TO keep VV it PP from IN becoming VVG television NN . SENT Maybe RB it PP is VBZ dead JJ , , but CC we PP have VHP to TO be VB on IN the DT ball NN to TO create VV the DT next JJ situation NN and CC to TO make VV sure RB there EX are VBP different JJ situations NNS . SENT We PP don VV t NN want VVP the DT Internet NN to TO be VB homogenised VVN and CC equalised VVN . SENT I PP want VVP Alexi NP Shulgin NP to TO keep VV doing VVG his PP$ work NN with IN his PP$ 386 CD DX NP computer NN . SENT SC NP . SENT The DT same JJ is VBZ the DT case NN with IN Olia NP Lialina NP s PP gallery NN for IN instance NN . SENT Previous JJ collections NNS of IN net JJ art NN can MD continue VV to TO exist VV on IN the DT web NN , , with IN museums NNS or CC not RB . SENT I PP was VBD talking VVG with IN Kathy NP Rae NP Huffman NP about IN the DT history NN of IN video NN and CC how WRB complicit JJ galleries NNS were VBD in IN the DT creation NN of IN video JJ art NN Leo NP Castelli NP went VVD out RP and CC bought VVD video JJ cameras NNS for IN the DT artists NNS . SENT We PP were VBD discussing VVG whether IN or CC not RB that WDT is VBZ the DT case NN with IN new JJ media NNS art NN , , that IN the DT institutions NNS of IN the DT art NN world NN are VBP as RB complicit JJ in IN the DT creation NN of IN the DT art NN through IN commissioning VVG , , say VVP . SENT BL NP . SENT But CC it PP s VVZ not RB that IN simple JJ even RB with IN video NN . SENT In IN the DT early JJ days NNS the DT dealers NNS couldn NN t NN care NN less RBR about IN the DT medium NN . SENT Exceptions NNS were VBD Howard NP Wise NP , , the DT visionary NN who WP had VHD a DT kinetic JJ art NN gallery NN on IN 57 CD th NN Street NP , , and CC a DT woman NN by IN the DT name NN of IN Mrs NN . SENT Bonino NP who WP had VHD a DT gallery NN down IN the DT block NN . SENT The DT two CD gallerists NNS gave VVD Juan NP Downey NP , , Nam NP June NP Paik NP , , and CC many JJ others NNS an DT opportunity NN to TO show VV some DT of IN their PP$ first JJ video NN works VVZ in IN the DT late JJ 1960 CD s PP . SENT For IN the DT most JJS part NN museums NNS scorned VVD video NN , , and CC few JJ bought VVD it PP . SENT The DT Soho NP dealers NNS Leo NP Castelli NP and CC Ileana NP Sonnabend NP became VVD involved VVN with IN video NN because IN Richard NP Serra NP , , Lynda NP Benglis NP , , and CC Vito NP Acconci NP were VBD working VVG with IN video NN . SENT Maybe RB the DT dealers NNS even RB gave VVD the DT artists NNS a DT stipend NN , , maybe RB not RB . SENT Then RB Leo NP dropped VVD video NN . SENT Why WRB . SENT Perhaps RB because IN these DT unlimited JJ tapes NNS sold VVN for IN only RB 200 CD and CC distribution NN was VBD an DT economic JJ drain NN . SENT Video JJ distributors NNS like IN Electronic NP Arts NP Intermix VV , , Video NP Data NP Bank NP , , and CC V NN Tape NP have VHP done VVN well RB . SENT They PP have VHP published VVN regular JJ catalogues NNS , , and CC now RB have VH the DT information NN on IN the DT Web NP . SENT They PP work VVP with IN the DT library NN , , school NN , , and CC museum NN markets NNS . SENT Also RB , , during IN the DT 1980 CD s PP when WRB paintings NNS had VHD become VVN bigger JJR and CC bigger JJR , , then RB there EX was VBD a DT problem NN on IN Wall NP Street NP and CC dealers NNS were VBD unable JJ to TO sell VV the DT high JJ priced VVN traditional JJ art NN mediums NNS . SENT At IN that DT point NN , , some DT put VVN video NN in IN their PP$ galleries NNS because IN they PP had VHD nothing NN to TO lose VV . SENT They PP weren NNS t NN selling NN anyway RB . SENT It PP s PP a DT more RBR complex JJ history NN . SENT This DT web NN page NN contains VVZ only JJ Part NP 1 CD of IN the DT conversation NN . SENT Parts NNS 1 CD and CC 2 CD are VBP available JJ as IN a DT 7000 CD word NN pdf NN file NN . SENT top JJ