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SENT We PP opted VVD for IN the DT Hey NP , , look NN what's NNS in IN this DT mysterious JJ crate NN . SENT solution NN . SENT What WP do VVP you PP think VVP is VBZ behind IN this DT recent JJ explosion NN of IN graphic JJ novels NNS ranging VVG from IN Ghost NN World NN to TO Sin NP City NP transformed VVD to TO film NN . SENT Why WRB now RB . SENT Anina NP . SENT Since IN the DT 1980 CD s PP , , there's RB been VBN a DT resurgence NN of IN non JJ superhero NN comics NNS . SENT Some DT of IN the DT people NNS who've NN come VVN of IN age NN during IN that DT period NN are VBP now RB making VVG movies NNS , , and CC the DT idea NN that IN comics NNS are VBP a DT legitimate JJ storytelling NN medium NN doesn't NN get VV scoffed VVD at IN so RB much RB anymore RB , , so RB there's RB a DT broader JJR pool NN of IN ideas NNS to TO draw VV on RP , , and CC more JJR willingness NN to TO dip VV into IN it PP . SENT I'm NN curious JJ to TO see VV if IN it's NNS an DT isolated JJ set NN of IN happy JJ accidents NNS , , or CC the DT beginning NN of IN a DT heyday NN . SENT Do VV you PP get VV different JJ responses NNS from IN readers NNS who WP grew VVD up RP with IN comic JJ books NNS versus IN those DT who WP are VBP new JJ to TO the DT medium NN . SENT Anina NP . SENT Comic JJ book NN readers NNS focus VVP more JJR on IN the DT art NN , , whereas IN civilians NNS tend VVP to TO be VB drawn VVN in IN by IN the DT Boilerplate NN historical JJ material NN . SENT But CC there's RB plenty RB of IN crossover NN . SENT How WRB does VVZ working VVG together RB help VV or CC hinder VV your PP$ work NN . SENT Paul NP . SENT I'm NP visual JJ and CC Anina's NP verbal JJ . SENT I'm NN good JJ at IN plotting VVG and CC art NN , , and CC Anina's NP good JJ at IN scripting VVG and CC design NN . SENT Neither DT one NN of IN us PP could MD create VV comics NNS on IN our PP$ own JJ . 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